Hermine David

(1886-1970)

Artistic love matches are seldom made in heaven. French Artist Hermine David learned this truth, playing consort to Jules Pascin, an art maker and bon vivant, dubbed the “Prince of Montparnasse” for his colorful role in the bohemian café life of early 20th century Paris. David showed early promise as an artist and was already exhibiting her paintings in Paris salons by the age of 17, when she encountered the flamboyant Bulgarian Emigré Pascin in 1907, and her career and life took a predictable turn.

Once their tempestuous relationship began and David progressed from model-mistress to wife (in a civil ceremony in New York, where Pascin had gone to escape World War I), she lived in the shadow of her more famous partner, who insisted she paint only landscapes. Even when the couple returned to France after the war and went their separate ways, Pascin held David in thrall until his suicide in 1930. The balance has, now, been redressed. As interest grows in the works of women artists, David is the one these days with all the admirers.

After Pascin’s death, the artist found her way to religious faith, going on regular retreats to a Benedictine abbey in Dourgne, near the southern French city of Toulouse. A skilled graphic artist, David created numerous drypoint engravings on sacred subjects in the years that followed, working in a post-impressionist, Art Deco style, full of textured, sinuous line work, rich tonal variations, and naif, elongated forms, reminiscent of El Greco. A good example is The Adoration of the Shepherds, found in both monochrome and hand-colored versions in my collection.

David was particularly fond of imagery of the Virgin Mary and returned time and again to the Christmas story, showing the Madonna and Child, the Adoration of the Shepherds, and the coming of the Magi in different imaginative variations. She always depicts the Mother of Christ as a delicate-featured young woman of chaste beauty, presented in an ethereal sampling of blues--the color associated with the Virgin in Western sacred art--in her gouache study, the Blue Madonna.

The Easter Story is another prominent theme in David's works, especially images of the Resurrection, found in the image gallery in four different depictions: The Resurrection, Easter Sunday, Three Women at the Tomb, and The Pilgrims to Emmaus.

The prolific French artist was also skilled at miniature painting, particularly enamel works on copper, which she fired in her own oven. The Sacred Art Pilgrim Collection has four studies in this genre: Moses in the Bullrushes, Annunciation I, Annunciation II, and Ecce Homo, dating from around 1940, as well as a miniature hand-made Christmas card and small format watercolor of St. Francis in Prayer.

David is best known for her illustrations in over 70 literary works by Marcel Proust, Francois Mauriac, and other notable 20th century authors. She created 52 drypoint prints for a 1943 edition of Sagesse (Wisdom), a poetry collection by 19th century Symbolist Paul Verlaine. David’s lyrical compositions beautifully complement Verlaine’s confessional verse, which often takes the form of a dialogue with God, as he struggles to respond to “the terrible voice of Love.” In this inspired pairing, artist and poet are of one mind and heart.

The sampling of images in the gallery comes from the limited-edition of Sagesse and a separate suite of hand-tinted drypoints. I’ve provided titles for the four vertical prints, which served as frontispiece and dividers for the book’s three main sections. The horizontal prints are identified by the opening words of the poems they illustrate (along with the section and the number of the poem from the book ).

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Jacob and the Angel
Jacob and the Angel
Hermine David
Drypoint
32 x 23 cm.

Jacob and the Angel

Moses in the Bulrushes
Moses in the Bulrushes
Hermine David
Glazed enamel on copper plate
16 x 12.5 cm.

Moses in the Bulrushes

Tobias and the Angel
Tobias and the Angel
Hermine David
Drypoint
18 x 12.5 cm.

Tobias and the Angel

The Annunciation I
The Annunciation I
Hermine David
Glazed enamel on copper plate
17 x 11 cm.

The Annunciation I

The Annunciation II
The Annunciation II
Hermine David
Glazed enamel on copper plate
9.5 x 12.5 cm.

The Annunciation II

The Nativity (1941)
The Nativity (1941)
Hermine David
Drypoint
15.5 x 14.5 cm.

The Nativity (1941)

The Virgin & Child  (1948)
The Virgin & Child (1948)
Hermine David
Drypoint
9.5 x 14 cm.

The Virgin & Child (1948)

Announcement to the Shepherds (1957)
Announcement to the Shepherds (1957)
Hermine David
Drypoint
15 x 9.5 cm.

Announcement to the Shepherds (1957)

The Nativity (1949)
The Nativity (1949)
Hermine David
Drypoint
10 x 7.5 cm.

The Nativity (1949)

Nativity (1943)
Nativity (1943)
Hermine David
Drypoint
10 x 7 cm.

Nativity (1943)

The Virgin and Child (1952)
The Virgin and Child (1952)
Hermine David
Drypoint
8.5 x 5.5 cm.

The Virgin and Child (1952)

Adoration of the Shepherds (1949)
Adoration of the Shepherds (1949)
Hermine David
Drypoint
12 x 8.5 cm.

Adoration of the Shepherds (1949)

Adoration of the Shepherds (1949)
Adoration of the Shepherds (1949)
Hermine David
Hand-tinted drypoint
12 x 8.5 cm.

Adoration of the Shepherds (1949)

Epiphany (1947)
Epiphany (1947)
Hermine David
Drypoint
9.5 x 6 cm.

Epiphany (1947)

Hand-made Christmas card
Hand-made Christmas card
Hermine David
Mixed media painting
15.5 x 9.5 cm.

Hand-made Christmas card

David
Detail from hand-made Christmas card

Blue Madonna
Blue Madonna
Hermine David
Gouache on paper
26 x 19 cm.

Blue Madonna

Madonna in the Woods
Madonna in the Woods
Hermine David
Drypoint
26 x 17 cm.

Madonna in the Woods

Madonna and Ministering Angel
Madonna and Ministering Angel
Hermine David
Lithograph
13.5 x 8 cm.

Madonna and Ministering Angel

The Triumphal Entry
The Triumphal Entry
Hermine David
Gouache on paper
21 x 15 cm.

The Triumphal Entry

Christ in Gethsemane (1941)
Christ in Gethsemane (1941)
Hermine David
Drypoint
20.5 x 22.5 cm.

Christ in Gethsemane (1941)

Christ in Gethemane II (1941)
Christ in Gethemane II (1941)
Hermine David
Drypoint
17.5 x 13 cm.

Christ in Gethemane II (1941)

The Kiss of Judas (1943)
The Kiss of Judas (1943)
Hermine David
Drypoint
15 x 10 cm.

The Kiss of Judas (1943)

The Denial of Peter (1948)
The Denial of Peter (1948)
Hermine David
Drypoint
16 x 9 cm.

The Denial of Peter (1948)

Ecce Homo
Ecce Homo
Hermine David
Glazed enamel on copper plate
6.5 x 4.5 cm.

Ecce Homo

Head of Christ (1944)
Head of Christ (1944)
Hermine David
Drypoint
8 x 9.5 cm.

Head of Christ (1944)

The Resurrection (1944)
The Resurrection (1944)
Hermine David
Drypoint
22.5 x 16.5 cm.

The Resurrection (1944)

Easter Sunday (1939)
Easter Sunday (1939)
Hermine David
Drypoint
19.5 x 14 cm.

Easter Sunday (1939)

Three Women at the Tomb (1939)
Three Women at the Tomb (1939)
Hermine David
Drypoint
11.5 x 9 cm.

Three Women at the Tomb (1939)

The Pilgrims to Emmaus (1941)
The Pilgrims to Emmaus (1941)
Hermine David
Drypoint
21 x 17 cm.

The Pilgrims to Emmaus (1941)

The Ascension (1944)
The Ascension (1944)
Hermine David
Drypoint
22.5 x 16.5 cm.

The Ascension (1944)

The Apparition at  Lourdes
The Apparition at Lourdes
Hermine David
Drypoint
13 x 7.5 cm

The Apparition at Lourdes

St. Francis of Assisi
St. Francis of Assisi
Hermine David
Watercolor
8 x 6 cm.

St. Francis of Assisi

The Fall & Redemption
The Fall & Redemption
Hermine David
Tinted drypoint
19 x 11 xm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

The Fall & Redemption

Veronica
Veronica's Veil
Hermine David
Tinted drypoint
19 x 11 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

Veronica's Veil

The Last Judgment
The Last Judgment
Hermine David
Tinted drypoint
19 x 11 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris:1943)

The Last Judgment

The Revelation
The Revelation
Hermine David
Drypoint
19 x 11 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

The Revelation

On n
On n'offense que Dieu (1, XV)
Hermine David
Drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

On n'offense que Dieu (1, XV)

L
L'ame antique (1, XXIV)
Hermine David
Drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

L'ame antique (1, XXIV)

Mon Dieu m
Mon Dieu m'a dit (2, IV)
Hermine David
Drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

Mon Dieu m'a dit (2, IV)

Du fond du grabat (3, II)
Du fond du grabat (3, II)
Hermine David
Tinted drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

Du fond du grabat (3, II)

Parfums, couleurs (3, VIII)
Parfums, couleurs (3, VIII)
Hermine David
Drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

Parfums, couleurs (3, VIII)

L
L'immensite de l'humanite (3, XIV)
Hermine David
Drypoint
7 x 9.5 cm.
From Sagesse by Paul Verlaine (Creuzevault, Paris: 1943)

L'immensite de l'humanite (3, XIV)

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