Divine Geometry

The square and circle are the building blocks of artistic composition. They are also powerful symbols. The square represents what is finite and bounded. The circle, the infinite and boundless. This duality of form and meaning made the square and circle the perfect starting point, when I started to experiment with abstract sacred art, inspired by the ultra-geometric forms of Le Corbusier's Notre-Dame-du-Haut chapel in Ronchamps,  France.

In the simplest variation, the bright-colored circles of my Resurrection series contrast with the black-tinged squares of the Dark Night of the Soul panels. In Gethsemane the Divine geometry becomes more complex. I boxed the central bright circle, enclosing a red and blue rectangle (traditional iconographic coloring for the humanity and divinity of Christ) within a series of rough edged squares of conflicting tonal values to evoke Christ's spiritual struggle, as he awaits arrest in the garden. And the Darkness Comprehended It Not (from the prologue of The Gospel of John) introduces a shimmering triangle—and all its associations with The Trinity—into a composition of intersecting squares and circles.

Resurrection After Grunewald takes a different approach. A recognized icon of Christian art, the magnificent Resurrection panel from the Isenheim Altar by 15th-16th century German master, Matthias Grunewald, is broken down, here, into its most basic geometric shapes. The flaming yellow circle and the triangle in glowing red are what the eyes first perceive in the painting, before we assign meaning to these forms and recognize the figure of Christ rising from the grave.

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Resurrection
Resurrection
John Kohan
color pencil, pencil on paper
16 x 61 cm.

Resurrection

Dark Night of the Soul
Dark Night of the Soul
John Kohan
Color pencil, pencil on paper
16 x 61 cm.

Dark Night of the Soul

Gethsemane
Gethsemane
John Kohan
Color pencil, pencil on paper
18 x 18 cm.

Gethsemane

And the Darkness Comprehended It Not
And the Darkness Comprehended It Not
John Kohan
Prisma color pencil on paper
16 x 16 cm.

And the Darkness Comprehended It Not

Rusurrection After Grunewald
Rusurrection After Grunewald
John Kohan
Prisma color pencil on paper
25 x 18 cm.
Based on the Resurrection panel in the Isenheim Altar by Mattheus Grunewald

Rusurrection After Grunewald

In the Beginning
In the Beginning
John Kohan
Prisma color pencil
49 x 23 cm.

In the Beginning

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